Three years passed after SOAR 2008. For the first time, I am ready for classes again. I have the smallest expectations for this technique class (Getting Even with Michelle Boyd). That means, of course, that it was the BEST time.
Her initial exercises made me twitch. She had us put inch-wide tape on our legs, with an inch in between, so that we had our own 1, 2 and 3 inch ruler. Then she gave us a long staple fiber to spin. Do 1 inch drafts. Then do 2 inch drafts. Then 3 inches. Predictably, the 1 inch draft had me fighting the fiber, and the 3 inch spinning looked great. Then she gave us Ashland Bay merino. One inch, no problem. Two inches was dicey. Three inches was a horror. I raised my hand.
"I understand the one inch looking good, but is the three inch supposed to really suck this bad? Or do I just suck as a spinner?"
Of course. Can't make a staple do what a staple doesn't want to do. She had us count treadles, as we drafted a uniform length of fiber. This is Mabel Ross, yes? It worked. Nice looking yarn.
Many railed against the discipline. Few like to count. I did it for several weeks after SOAR, and now it is intuitive. The rhythm is in the hands and the feet, without counting. My yarn is more even.
What else? Draft in one direction. Obvious to many, but not to me. This lazy spinner drafted in whatever direction seemed to feel the best in any given moment. A bit of long draw as the twist went past the fingers, some attempt at discipline with short forward draw, then a switch back to short backward worsted draw. No wonder my yarn did not make me happy.
Michelle agreeds with Judith on working with the fiber prep that you have: don't split the top, don't split the roving, avoid pre-drafting. Drafting seems easier, but doing this actually sets up thick and thin areas that make good, even drafting more difficult.
The best ah-ha moment was how she handles the thinning of thick spots. I was taught to stop treadling, go back to the thick spot, roll the twist backwards to release the fibers, and pull the dense spot thinner until it matches the rest of the yarn's grist.
That puts more aligned (worsted) spots interspersed into a woolen yarn. (The idea is that the thick spots happen during long draw drafting more often than in short forward worsted draw techniques.) Yarn will be more even if you do this: Roll back the fiber in the opposite direction from the spinning twist. Do this at the end of the thick spot closest to the orifice. Then ease the pinching hand back through the thick spot, away from the orifice, gently rolling as you go. That allows the twist to enter the thick spot more evenly.
(Of course, if you are spinning a worsted draw, and get a thick spot, go with the old release-the-twist-and-pull-gently to distribute the fibers more evenly along the yarn. Then you are simply putting worsted spots into worsted-spun yarn.)
Internal mirth almost got the best of me when, three hours later, in a color class, Deb Menz said STRIP your roving, SPLIT your top, predraft EVERYTHING, and draft however YOU want. The goals were different, of course. Spinning for color, spinning for even yarn, all are arrows in the quiver of the spinner's skillsets. We swap out whatever works for what kind of yarn we want to produce.
The rigid heddle loom (borrowed from Lynn) has a Mission Falls cotton dishcloth in progress. I warped for two towels. Youtube made hemstitching easy. Chalk up a new skill that will make my woven ends more cohesive.
I have bit off somewhat more than I can chew right now. There are too many projects, too many new things. NaBloPoMo would have been perfect, but I forgot.
I am SO far behind. A picture from Rhinebeck. You-know-who to the left, Angela Ho to the right. 